Studio

Twenty-two people in a Barcelona loft. Real crews, real sets, and a render room in the basement.

The Apricot loft in Barcelona, a light table covered in film strips
Frame counter
films delivered
Frame counter
countries shot in
Frame counter
years rolling

Real sets. Grown pixels.

No stock, no prompts-only films. Every frame starts with a camera somewhere real.

APRICOT 5219 ▸ 0101A
◂ 24 FPS · NEGAPRICOT 5219

01 Real sets

Dollies, lamps and locations. We shoot plates for everything we later extend.

APRICOT 5219 ▸ 0202A
◂ 24 FPS · NEGAPRICOT 5219

02 Real hands

Wardrobe, props and negatives are physical. Texture is the hardest thing to fake.

APRICOT 5219 ▸ 0303A
◂ 24 FPS · NEGAPRICOT 5219

03 Graded by people

AI grows what we shot; the colour is finished by hand in our grading suite.

Directors

Four directors, each with a crew they trust. Lift a slide to meet them.

Apricot · Slide 01
Maya Okonjo
Maya OkonjoFashion · Music video
Apricot · Slide 02
Theo Lindqvist
Theo LindqvistAutomotive · Sport
Apricot · Slide 03
Inès Moreau-Laval
Inès Moreau-LavalBeauty · Product
Apricot · Slide 04
Kofi Mensah
Kofi MensahBrand film · Documentary

Trusted by

Lido Swim

Strada Motors

Maison Ardent

Court Club

Northwake

Pétale

Hollow Hills

Teatro Lume

Grey Swell

Roll camera.

Tell us about the film. We reply within one working day.

Studio

Carrer de Pujades 77

08005 Barcelona

hello@apricot.film

Dailies

One letter a month. Mostly stills.

Apricot

© 2026 Apricot Films

End · Reel 01 · ◂ Tail

Apricot35mm · 24 fps · colour negative
Gate● Rec
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Developing the studio

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